Skip to main content
  • Home
  • Quilts Are...
  • Business
  • Creativity
  • Identity
  • Engagement
Cross-cultural connections Publishing Explosion Commemoration Distinct Traditions? Industrial Revolution Slavery And Its Aftermath Professional Quiltmakers Democratization Quilt Software Do Quilts Have Ethnicity? Printing and Dyeing Beyond the Myths Abolition Colonialism / Imperialism Bigger, Faster, Better, More Awareness & Activism Ethnicity Contemporary African American Quiltmaking The Textile Trade Colonial Quilters? What are Quilts? Patchwork Abstract design in American quilts DIY Exploitation And Empowerment Sewing Machine Mourning Revivals Weaving Everyday Creativity Women's work Studio art quilts Taste And Fashion Quilts For Causes The Digital Age War & Peace Applique Quilts as art Amish Mutual Aid Feminism Mail Order American quilts? World War I and II Weddings Online Communities The Birth of Modern Quilt Businesses Post-9/11 Quilts for Soldiers Race Friendship 20th c. cottage industries Globalization Of American-Style Quilts Coveting and Copying Early influencers Gender Quilting 21st c. pros Utility And Thrift art Craze for Quilts Scrap bag?
More
  • Quilts Are
    • What Are Quilts
    • Quilts In Context
    • Beyond The Myths
  • Business
    • The Textile Trade
    • Industrial Revolution
    • The Birth of Modern Quilt Businesses
    • Craze for Quilts
    • The Digital Age
  • Creativity
    • Everyday Creativity
    • Professional Quiltmakers
    • Quilts As Art
    • Groups and Guilds
  • Identity
    • Gender
    • Race
    • Class
    • Ethnicity
  • Engagement
    • War & Peace
    • Commemoration
    • Fundraising and Charity
    • Awareness and Activism
  • About World Quilts: The American Story
  • WORLD QUILTS HOME

© 2013 International Quilt Museum | University of Nebraska-Lincoln | info@internationalquiltmuseum.org